The Wire: Great Drama, Bad Message
By John Atlas on May 16, 2008
If you didn't watch "The Wire" rent the DVD or watch it on HBO. It just ended its five-year run on HBO, although it will have a long after-life in reruns. It has gotten universal praise for its gritty realism of inner-city life. I agree with the critics who compare "The Wire" to a great literary novel. Unpredictable plot twists, deft foreshadowing, and complex characters justify that judgment. The show juggled over 65 characters and kept them vividly evil, sad, or humane.
Like most great stories, the main characters were morally ambiguous, but so finely etched that we cared about them. Each week, I couldn't wait for the next episode. It was Dickens for television. Sadly the Wire is over. I looked forward to every episode.
But what's worse, it won't accomplish what its creator, David Simon, wanted the show to do. Simon wanted to spur our country to do something about the drug war and the plight of America's inner-cities.
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For over 35 years, John has been a
public-interest lawyer, activist, radio talk-show host, and organizer.
Holding a law degree from Boston University and a master of law from George
Washington Law Center, he is an alumnus of Columbia University and recipient
of the
Sid Blumenthal, a close friend and advisor of Hillary Clinton who has been widely credited with coining the term "vast right-wing conspiracy" used by Hillary in 1998 to describe the alliance of conservative media, think tanks, and political operatives that sought to destroy the Clinton White House, appears to be exploiting that same right-wing network to attack and discredit Barack Obama. And he's not hesitating to use the same sort of guilt-by-association tactics that have been the hallmark of the political right dating back to the McCarthy era.