Ever
since he was a child, Angelo has drawn on any scrap of paper he could find. As
an artist, his earliest inspirations were the Peanuts comic strip and Marvel comic
books. Angelo's college paintings, at San Jose State U., were heavily influenced
by the humorous illustrations of Peter De Seve of the New Yorker magazine. He also
fell under the spell of the great muralists of the 1930s, especially Thomas Hart
Benton and Diego Rivera. Since graduating with a degree in illustration,
Angelo has illustrated three books: Two Moms, the Zark, and Me
,
Night Travelers
,
and Cherubic Children's New Classic Story Book, Volume 2. He has
painted murals for several public buildings in northern California and magazines
have published his illustrations.
Angelo's paintings (
here and
here) are often done
in a whimsical cartoonish style, telling stories in humorous ways with hints
of melancholy or anxiety. Recently, he has attempted to respond more to the
world around him through realistic paintings also. Angelo says he continues
to be inspired by these words from Thomas Hart Benton, "I know there is no
such thing as failure in the pursuit of art. Merely to survive in that pursuit
is a success. Pictures may fail to please, movements may fail to survive, but
the artist has his rewards anyway... the act of artistic creation has its own
psychological payoff and a very considerable one... The only way an artist can
personally fail is to quit work.” He welcomes mail at ninongangelo at gmail
dot com. We are delighted that Angelo has joined our blog community. You can
browse through and read entries from Angelo's
complete historical blog archives
here.
By Angelo Lopez on July 30, 2008
I hope people don't mind a plug. I'm having an art show this coming September in Gallery Saratoga in Saratoga, California. It'll be from September 2 to October 5. I'll have a reception on Saturday, September 6, from 1 p.m. to 6 p.m. If any of you are in the San Francisco Bay Area at this time, I'll be happy if you'd be able to see my art.
This year I did more ink drawings than paintings, and they'll be featured in my show. I do a weekly cartoon for a local California newspaper, the TriCity Voice, where I try to comment on what I see for a general audience.
I also put a more overtly political message in the cartoons that I've submitted for Z Magazine, a political magazine based in Boston. Each week I do cartoon of the Sunday readings for the Sunday bulletin of my church, St. Thomas Episcopal Church in Sunnyvale, California. If you like cartoons, you might enjoy my show...
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By Angelo Lopez on July 17, 2008
I’ve always been interested in the civil rights movement and the general movement for social change. As I’ve read books on the people who’ve participated in the fight for equal rights, one name kept popping up who inspired many of these people to become active. Bayard Rustin is not as well known as Martin Luther King Jr. or Malcolm X, yet he played an important part in the middle of the twentieth century in organizing protests for civil rights and for anti war causes, and he helped bring Gandhi’s philosophy of nonviolence into the mainstream of American progressive thought.
His work on behalf of important progressive causes was informed by his Quaker faith, and his activism helped improve American society by tearing down segregation in the South and bringing to the forefront issues of economic justice and world peace.
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By Angelo Lopez on July 9, 2008

When I used to think of George Washington, I usually thought of the guy whose picture was on the one dollar bill. Most everyone else I know thinks of Washington in the same way, which is sort of sad.
In the past few years, I’ve read more about George Washington and have grown to admire him. During his lifetime, he was revered by his countrymen for his courage in leading the Continental Army to victory against the most powerful military in the world, and he drew even greater praise for his willingness to give up power and respect the spirit of republican government of the early United States. He was a good man and a wise leader, and nothing shows Washington’s character more than his evolving views towards slavery. Though he started out having the same views on race as his fellow Southern plantation owners, Washington’s views evolved to the point where he was a strong voice against slavery and wished that some means for the country to rid itself of the institution.
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By Angelo Lopez on July 6, 2008

On this 4th of July weekend, I'd like to actually post a speech that Frederick Douglass gave about Abraham Lincoln on April 14, 1876. I think it's in keeping with our election year and in keeping with one of the roles of a true patriot: to help our nation live up to its highest ideals. It is about the faith of Douglass and Lincoln in America's capacity to change for the better. First an excerpt from the book Douglass and Lincoln: How a Revolutionary Black Leader and a Reluctant Liberator Struggled to End Slavery and Save the Union
by Paul Kendrick and Stephen Kendrick:
"In the most incisive estimation of Lincoln that Douglass was ever to make, the speaker reminded his audience that at the time of the beginning of the war, abolitionists (including Douglass) had seen him as 'tardy, cold, dull, and indifferent,' but when Douglass measured him against the rest of the country at the time, Lincoln was 'swift, zealous, radical, and determined.' Douglass now fully understood what Lincoln had gone through, balancing public opinion and justice.
"In the end, Douglass' people had come to love this president, and for a simple reason: 'We came to the conclusion that the hour and the man of our redemption has somehow met in the person of Abraham Lincoln.'
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By Angelo Lopez on July 2, 2008

I first discovered the artwork of Thomas Hart Benton from an article in Smithsonian magazine while I was in college in the 1980s.
I really didn’t know too much about the fine arts back then, and I knew even less about the great American artists from that time between the two great World Wars. I loved learning about new artists and great paintings, and Benton was a real revelation to me. He was one of the biggest influences on me as I was learning to find my own style and voice as an artist. I never get tired of looking at Benton’s paintings, and his attempts to capture the energy and rawness of the everyday American life left a deep impression on my own outlook on art.
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